[English follows] Issue de la série «Apocalypse : Une nouvelle révélation», cette œuvre reflète l’urgence des bouleversements climatiques actuels, en s’inspirant du Livre des miracles d’Augsbourg, un manuscrit du XVIe siècle qui représentait les phénomènes naturels et célestes comme des signes de troubles à venir. Les œuvres explorent les parallèles entre les événements apocalyptiques historiques et les crises environnementales contemporaines, mettant en lumière la destruction et le renouveau inhérents à ces moments de transformation. En réinterprétant le mot « apocalypse » comme une révélation plutôt qu’une fatalité, la série suggère que l’espoir et le changement restent possibles à travers la décarbonisation et des actions durables. Face aux défis mondiaux, l’optimisme et les solutions proactives deviennent indispensables.
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This work is from the series by Ripley Whiteside entitled "Apocalypse: A New Revelation". It reflects the urgency of our changing climate, inspired by "The Augsburg Book of Miracles," a 16th-century manuscript that depicted natural and celestial phenomena as signs of upheaval. The artworks explore the parallels between historical apocalyptic events and today’s environmental crises, highlighting the destruction and renewal inherent in these moments of transformation. By reinterpreting the word "apocalypse" as a revelation rather than a final doom, the series suggests that hope and change are possible through decarbonization and sustainable action. In the face of global challenges, optimism and proactive solutions become indispensable.

Born in 1982, Ripley Whiteside grew up in Chapel Hill and Durham, NC. In 2012, he graduated with a MFA from SUNY-Buffalo, and received a BFA from UNC-CH in 2008. He is a drawer, painter and printmaker. Currently he teaches at Austin Peay State University and Metro Parks Visual Arts. He lives and works in Nashville, TN.