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August Klintberg
All of the Nights, 2024
Papier Strathmore sans acide et conté, découpé à la main /
Hand-cut acid-free Strathmore paper and conté
Hand-cut acid-free Strathmore paper and conté
19 x 11 "
48.3 x 27.9 cm
(encadrée / framed) 23 x 15 1/2 "
58.4 x 39.4 cm
48.3 x 27.9 cm
(encadrée / framed) 23 x 15 1/2 "
58.4 x 39.4 cm
Copyright The Artist
$ 2,400 (encadré / framed)
Three possible texts: Hand-cut paper silhouettes that gradually reveal curving, arching, and angled text messages, each singular piece in this series cites evokes habits and experiences inflected by the passage...
Three possible texts:
Hand-cut paper silhouettes that gradually reveal curving, arching, and angled text messages, each singular piece in this series cites evokes habits and experiences inflected by the passage of twilight, and “other worlds” and “other rooms” made possible through gender and sexuality.
Hand-cut paper silhouettes that gradually reveal text messages through a lacework of arching letters, each piece in this series cites ideas steering the artist’s work: the passage of twilight as a queer time; and the “other worlds” possible through gender and sexuality.
Through densely-packed, intertwining, angled, and curving letters, this series of hand-cut paper silhouettes encodes ideas about twilight and night as temporally queer, and how gender and sexuality exist in “worlds” and “rooms” of time and space.
Hand-cut paper silhouettes that gradually reveal curving, arching, and angled text messages, each singular piece in this series cites evokes habits and experiences inflected by the passage of twilight, and “other worlds” and “other rooms” made possible through gender and sexuality.
Hand-cut paper silhouettes that gradually reveal text messages through a lacework of arching letters, each piece in this series cites ideas steering the artist’s work: the passage of twilight as a queer time; and the “other worlds” possible through gender and sexuality.
Through densely-packed, intertwining, angled, and curving letters, this series of hand-cut paper silhouettes encodes ideas about twilight and night as temporally queer, and how gender and sexuality exist in “worlds” and “rooms” of time and space.